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Now, let’s imagine that we want to track the mouse position in another component as well. Can we reuse any of the code from our <App> ?

In the createClass paradigm, the problem of code reuse was solved using a technique called “mixins”. Let’s create a MouseMixin that anyone can use to track the mouse position.

Problem solved, right?! Now anyone can simply “mix in” MouseMixin to their component class to get the x and y of the mouse in this.state !

Then last year, arrived and ultimately the React team decided to move away from using createClass to use them instead. It was a wise decision. Who wants to maintain their own class model when JavaScript already has one built-in?

But there was a problem: ES6 classes don’t support mixins . Also, besides the fact they aren’t part of the ES6 class spec, mixins have other shortcomings too, many of which discussed at length in a post on the React blog .

ES6 classes don’t support mixins

To summarize, problems with mixins are:

ES6 classes Indirection Naming collisions

So instead of using mixins, many in the React community eventually settled on an alternative technique for code reuse known as nike free 3 v 4 v 5
, or HOCs. In this paradigm, code is shared using a similar technique to nike burgundy roshe
; you start with the component that defines the bulk of the markup to be rendered and then wrap it in more components that contain the behavior you’d like to share. Instead of mixing in the behavior you need, you can just decorate your component! 😎


It was a good solution that solved the problem of code reuse elegantly in the brave new world of ES6 classes, and the community adopted it in droves.

At this point I’d like to stop and ask: what did we gain by moving to higher-order components? Did we solve any of the problems we had with mixins?

Let’s see:

Another problem that both mixins and HOCs share is that they use static composition instead of dynamic composition . Ask yourself: where is the composition happening in the HOC paradigm? Static composition happens once, when the component class is created (e.g. AppWithMouse in the previous example).

Reductio ad absurdum is a Latin term that means “to reduce something to absurdity.” It is a youth nike air max sale
that is defined as a manner of arguing something for one’s own position by showing the absurdity of the position of his opponent. In simple words, it means to reduce an argument to absurdity, by drawing conclusions with logical limits, or by showing ridiculous consequences. Reductio ad absurdum in satires breaks down an idea to the point of absurdity.

Reductio ad absurdum examples cannot be used as an appeal to ridicule. Though both devices are extensively used in air jordan 2 retro low sale affidavit
, an appeal to ridicule is the use of ridiculing a situation without arguing or explanation; while, reductio ad absurdum pursues arguments and logical consequences.

“Five hours, (and who can do it less in?) By haughty Celia spent in dressing; The goddess from her chamber issues, Arrayed in lace, brocades and tissues…

Her ointments, daubs, and paints and creams, Her washes, slops, and every clout Such order from confusion sprung, Such gaudy tulips raised from dung.”

Swift uses reductio ad absurdum as a satirizing technique here. In this case, the purpose is to ridicule the duality of individuals in their private and public spheres.

“I think it is agreed by all parties, that this prodigious number of children in the arms, or on the backs, or at the heels of their mothers, and frequently of their fathers, is in the present deplorable state of the kingdom … cheap and easy method of making these children sound and useful members of the common-wealth, would deserve so well of the publick, as to have his statue set up for a preserver of the nation.”

This is one of the more famous examples of reductio ad absurdum in English literature. Here, Swift uses reductio ad absurdum by arguing about social conditions to ridiculous lengths. This highlights a horrific situation of children.

ESTRAGON: “That’s the idea, let’s ask each other questions …” “Nothing happens, nobody comes … nobody goes, it’s awful …” ESTRAGON: “What did we do yesterday?” VLADIMIR: “What did we do yesterday?” ESTRAGON: “Yes.” VLADIMIR: “Why … (Angrily.) Nothing is certain when you’re about … ESTRAGON: “ In my opinion we were here .”

In my opinion we were here

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This is so stinking cute! I totally need to make this!

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This looks like a great way to use up wool yarn remnants if you combine this diy with the wool dryer balls diy to use instead of the wool felt balls.

This is SO SMART!!! Maybe you guys can sell them?!?! I would totally buy one!


I know right? I wish I could buy one of these because to be honest, I’ll probably never get around to making them ; )


This is genius!! I hate air fresheners, but love essential oils and this is too cute.


Love this!!


This is such a great idea!!!! And a very non-threatening DIY for someone who has great intentions, but is often scared off by projects. How cute!

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How adorable! I love the gold pegs, haha!

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Such a cute idea Now I need to just get a car…

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This is so cute, I love it and will definitely make one! Thank you very much for sharing your pattern.


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Adorable and functional. LOVE this!

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Wow, This is so amazing. I love your art. I think this is not an easy task but I will try to make. Thanks for sharing your artwork.


This is such a fun idea! I have been loving my EO lately and have been wanting to diffuse in the car!

This is the best idea for my commutes in traffic.! Love it!

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Genius, and so cute!!


Across Louisiana, a younger set picks up the thread

by Lorin Gaudin

November 22, 2017

2:46 PM

Eugenia Uhl

At shops like Needle Arts, in Mid-City New Orleans, needlepoint appeals to a new demographic.

It started with Biggie Smalls. On my Instagram feed, amid restaurant specials and pouting babies, I spied a work-in-progress needlepoint canvas portrait of the deceased rapper. Curiosity led me from Biggie to a website called (now and nike free 40 flyknit pure platinum womens watch
), where the inventory of canvases featured hand-painted designs of Chanel fragrance bottles or bright rectangles containing snappy phrases like “You have as many hours in the day as Beyoncé” and “No Bad Vibes.” There were other portraits too: Audrey Hepburn, Prince, and interior design icon, Iris Apfel. Digging deep down the Internet rabbit-hole, it became clear to this self-professed needle arts geek that needlework, specifically needlepoint, is currently captivating another generation, many of whom have been taught to sew by their grandmothers. And across Louisiana, shops dedicated to needlepoint and other forms of embroidery now cater to all ages and don’t skimp on the local flair.

For enthusiasts and novices alike, there’s The Elegant Needle in Baton Rouge’s increasingly artsy Mid City neighborhood; in Broussard, Stitch and Frame of Acadiana; and up in Shreveport, Hanging by a Thread. In New Orleans, thread hunters frequent The Quarter Stitch (French Quarter), Needlework Vault (Lower Garden District), and Needle Arts (Mid-City). At The Quarter Stitch, owner Michelle “Chelle” Wabrek works with local artists Dr. Bob, Simon, and Alex Beard (to name a few), transferring their beloved and popular art onto needlepoint canvas. Re-prints of folkart works by Clementine Hunter and modern, whimsical, and even humorous animal portraits from Louisiana and Southern regional designers can be purchased with or without wool thread. (Though they stock a limited amount of embroidery fibers, The Quarter Stitch’s go-to is wool, for a more traditional stitching experience. Wabrek is fairly emphatic about keeping it simple with yarn and stitch.)

Wabrek and her staff are generous with information, friendly, and helpful in choosing colors, canvases and offering guidance. Of the resurgence of needlepoint, one staffer said, “A lot of people are coming back to needlepoint because there are new, more modern canvases that pull them in. Most who walk in learned from their grandmother and have the basic skills, needing only a refresher. Needlepoint is generational, and it seems to skip a generation. Why? I don’t know. Every now and then we’ll get someone who is a first-timer. They’re rare, though, but get pulled in by the artsy-fun canvases and wanting to do something with their hands that they can share with their children or grandchildren.”


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